I HAD A SNEAKY FEELING I WOULD END UP IN AN ASYLUM ONE DAY.

Rather than self-medicate, because we all know that's not ok! I decided to go and see what life in an asylum was all about. Most of you are now thinking to yourself; it's long overdue. Well, hold on a minute, in my former life, I had to visit these facilities somewhat often to speak to those who may have done something naughty to someone else. But my adventure today is not one of those asylums for “mischievous” folk. This one is in Saint-Remy-de-Provence, and it was home to Vincent van Gogh for quite some time. Vincent suffered with his mental health (thus the missing ear), mainly due to the underlying problems that were exacerbated by a shit ton of Absinthe consumption.

Absinthe was, to most, a very slippery slope. But, from what I gather, it affected those who took part in a wee dram (or 10) in ways that mimic today's street drugs. Vincent seemed to be a big fan, and as such, he stumbled from time to time. Vincent's brother Theo was very close to him and decided the best way he could help was to fund Vincent's hopeful recovery at Saint Remy.

Treatment was not cheap, but the facilities were thought of as well run and successful for the time. For fear of sounding like a broken record, I left home at 8 a.m. My journey was supposed to take 46 minutes, and it wasn't far off that. If not for a few tractors pulling trailers full of cantaloupes in front of me, I would have been spot on.

I had never been to Saint-Remy-de-Provence before, and even though I had done a quick search for the historic bits around the town, I was not prepared. The city is stunning. Another gem that, if not for van Gogh, I would have probably never visited. I arrived about 20 minutes before the market day officially kicked off. There were so many stalls with such a variance of goods I was taken back. There are some massive market days near us, but this one in Saint Remy takes the cake.

I wanted to be in time to wander the grounds outside the walls. Still, with enough time to be in line for my ticket as the doors opened at 9:30. You can park in the shade of the plane trees adjacent to the 20 foot stone walls surrounding the facility. The asylum is still operating as such, and the noises I heard while wandering in the olive grove indicated business as usual. Currently, the wing that once was home to Vincent has been annexed off as a museum of sorts, and the remainder is still staffed and operating like any other mental health hospital.

I was all alone as the gates opened to the museum. I was confused as to why given the gravity of the place and beauty that surrounds it. I supposed a hundred years ago that you would have rarely born witness to a lineup to get into an asylum.

The ticket cost six euros, and after showing my pass Sanitaire to prove vaccination, I was in and walking towards the imposing building at the end of a beautiful tree-lined lane. You are treated to many reproductions of Vincent's paintings hanging on the garden walls as you meander along. They are hung perfectly in amongst a veritable cornucopia of local flowering plants. Many of these plants are seen in the paintings on show.

Some intermixed sculptures provide juxtaposition. After taking it all in, you come to the chapel. It is of considerable age but in beautiful condition. The origins of this place come from the Catholic church, as this was a monastery for many years. I try to stop and appreciate the architecture in every case such as this. Once inside the chapel, even a devout atheist may be moved. I spent some time inside until my little voice said, you better move on into the asylum to take in Vicent's room, the view from that room and the remaining facilities before more tourists arrive.

A young man working in the building gave me directions, and I climbed up the stairs to the second floor. There, on the left, was the tortured master's quarters. The room is laid out as it was in his day. The view from his window is supposed to play a small role in "A Starry Night " and many others.

I was there alone, and alone I stayed for just over 20 minutes. I sat in the room, trying to absorb the enormity of the opportunity and the experience. I suppose the right word is surreal. When I eventually heard voices on the floor below, I stood up and wandered across the hall to look at the other facilities. You will recognize in the photograph below that if you were not acting appropriately at bath time, you may be placed in the tub and then have the board resembling medieval stocks set over you. In addition, several burly staff may have to take a seat on that board until you had finished your required ablutions.

I'm unsure if my 18'" neck would have allowed my head to rest above the board. Nightmares are absolutely coming my way. Still no sign of other visitors, so I slowed my roll and read every bit of information I could on the walls. Eventually, it was time to go out into the walled (prison-like) garden to see the grounds and more of the places Vincent used for inspiration.

It never got old, and I had no reason to leave. If the prices were right perhaps, I could check-in. Maybe Blue Cross would assist with the bill payments. All things to ponder while I sat in van Gogh's garden. Eventually, one or two visitors appeared. I took that as a sign not to be greedy and make my way back to the gates like an escaping lunatic.

The unhinged screams from next door at the real deal continued as I walked across the road to the tiny Citroen I currently drive. What a wonderful morning. For me, of course, not so much for the tormented next door. Maybe a move to the asylum isn't what it is all cracked up to be. Not as I imagined while sitting alone in Vincent's room. It's for people that need some help to keep both their ears attached. Perhaps not for me. I know what you're saying under your breath! Bye for now.

Please leave a comment if you have time.

Live well!

Mark

p.s. All the images below were captured with the Leica M10-R and the Leica Q2.